Leave it to social media to turn somebody else’s big win into another artist’s unexpected courtroom trial.

Nigerian hitmaker Young Jonn recently pulled off a major international feat after selling out London’s 12,500-capacity OVO Arena Wembley. It should have been a straightforward celebration of African music making waves in the UK.

But of course, the internet had other plans.

Instead of simply applauding Young Jonn’s achievement, some social media users quickly dragged Ghanaian dancehall heavyweight Stonebwoy into the conversation, using the Nigerian producer and singer’s sold-out arena show to revisit debates surrounding Stonebwoy’s previous Wembley appearance.

Some critics went as far as portraying Stonebwoy’s Wembley performance as nothing more than a supporting act, with clips from Young Jonn’s packed-out show being used to fuel comparisons between the two African stars.

Then D-Black entered the chat.

The Ghanaian rapper, entrepreneur and music executive apparently had no intention of watching the conversation spiral into another Ghana versus Nigeria music war.

D-Black stepped forward with a strong message, calling on fans to stop disrespecting Stonebwoy and putting the comparison into proper perspective.

According to D-Black, one major factor behind Nigeria’s ability to create massive international moments is the level of support Nigerian artists receive from their own audience and industry ecosystem.

He suggested that Nigerians have a remarkable ability to rally behind their stars, creating the kind of unified support that can turn an artist’s London concert into a major cultural event.

But D-Black did not stop there.

He also made his position on the artistic comparison clear. In his view, when it comes to catalogue depth, years of experience, live performances and overall stagecraft, Stonebwoy has built a body of work and performance history that should not be dismissed simply because another artist has successfully sold out an arena.

And that is where the debate gets interesting.

Selling out the OVO Arena Wembley is undeniably a major achievement. But comparing two artists based on one concert, while ignoring their individual careers, catalogues, international performances and years of work, may be an overly simplistic way of measuring musical success.

For D-Black, the bigger issue appears to be the need for Africans to celebrate each other’s victories instead of constantly turning them into Ghana versus Nigeria battles.

Young Jonn has his Wembley moment.

Stonebwoy has his own history.

And apparently, D-Black thinks there is enough room in the African music conversation for everybody to shine without turning every achievement into a competition.

Because if African music is winning globally, perhaps the real victory should be the music itself, not who gets dragged into the comparison section of Twitter.

Watch: D-Black defends Stonebwoy amid the Wembley debate.

If you want, I can also make this more sensational and click-worthy for a Ghana entertainment news website, with a stronger headline and more viral opening.