|
Getting your Trinity Audio player ready...
|
Music producer Appietus has raised serious questions over money allegedly owed to highlife musician Barosky from a reported Netflix movie deal involving Ofori Amponsah.
The explosive allegation comes at a time when Barosky’s plight has sparked concern after the musician was reportedly spotted living on the streets in the United Kingdom and publicly expressed his desire to return to Ghana.
Speaking during a TikTok Live session with broadcaster Andy Dosty, Appietus opened up about what he described as a major disagreement with Ofori Amponsah over proceeds from a movie deal.
According to Appietus, Ofori Amponsah had promised to share part of the money from the deal with fellow artistes Kofi Nti and Barosky, but allegedly failed to fulfil that promise.
At the centre of the dispute is the UK movie The Kitchen, which reportedly featured portions of the song ‘Odo Nwom’.
Appietus claimed that, as the producer of the song, he was initially entitled to 50 percent of the proceeds. However, he said he accepted a different arrangement after Ofori Amponsah indicated that some of the money would be shared with the other artistes involved.
That arrangement, Appietus suggested, eventually became a source of tension and contributed to the breakdown of his relationship with Ofori Amponsah.
But beyond the financial dispute, Appietus said what troubles him most is seeing Barosky struggle in the UK today.
The veteran producer disclosed that he has been making calls to explore possible ways of helping the musician return to Ghana, where he could reconnect with his support system.
Appietus also had a message for those who have turned Barosky’s current situation into a source of ridicule.
He urged the public to remember the musician for his contribution to Ghanaian music rather than allowing his present circumstances to define his legacy.
According to him, Barosky’s struggles should be met with compassion and support, not mockery or condemnation.
The claims have added another layer to the growing conversation surrounding Barosky’s situation, while also raising questions about financial transparency, artiste welfare and how musicians are treated when deals involving their work generate revenue.
For now, the allegations remain Appietus’ account of events, and Ofori Amponsah’s response to the claims has not been included.
