Demolishing Houses Won’t End Accra Flooding – Kwaw Kese
Rapper, Kwaw Kese, has said that demolishing houses will not solve Accra’s recurring flooding problem.In a post on X, the musician argued that the city’s flooding challenges are mainly due.
Rapper, Kwaw Kese, has said that demolishing houses will not solve Accra’s recurring flooding problem.In a post on X, the musician argued that the city’s flooding challenges are mainly due.
The final edition of “Art of Exchange”, a cultural diplomacy initiative by DiplomArts in collaboration with the Embassy of Switzerland in Ghana, closed on May 30, 2026, at the Sankofa.
Ghanaian socialite and influencer Mona Faiz Montrage, popularly known as Hajia4Real, has been named in a recently published list by the United States Department of Homeland Security (DHS) identifying foreign.
Ghanaian rapper M.anifest has sparked debate after dismissing calls for “unity” in Ghana’s music and creative space.Instead, he argues for cooperation, ethical conduct and professionalism. In a post shared on.
Regardless of their renewed friendship and camaraderie, rapper Sarkodie has mentioned that the possibility of another beef with dancehall artiste Shatta Wale cannot be ruled out. Speaking to Adesope in.
Wanlov the Kubolor is currently on tour across the United Kingdom and Europe alongside songbird Lamisi, and I had the chance to catch up with the Ghanaian music icon as.
The Family Court in Accra on Tuesday, June 2, heard arguments on an application seeking to restrict access by socialite and musician Mona Faiz Montrage, popularly known as Hajia4Reall, to.
Toronto, Ontario – TOC Foundations is proud to announce the Ghana Cultural Music Showcase, a special cultural event taking place on Saturday, August 1, 2026, as part of Toronto’s Caribbean.
Winning Producer of the Year at the 26th Telecel Ghana Music Awards (TGMA) has opened new doors for music producer Khendibeatz, who says the recognition has significantly elevated his standing.
Veteran highlife musician Amandzeba Nat Brew has rejected claims that highlife music is dead, arguing that its recent recognition by UNESCO is evidence of the genre’s enduring relevance and cultural.